it has also been embracing point of advent of Islam bringing its fold finest traditions of Persian civilization, tolerance, brotherhood and sacrifice.

Ladakh on the other hand, has been the highest and living centre of Tantrayan Buddhism. Jammu, the same way, has been the seat of Rajas and Maharajas which have cemented and enriched the cultural, historical and social bonds of all these diverse ethnic and linguistic divisions of the state. The ancient archeological monuments and remnants speak volume of the district cultural traditions of the state.

Kashmir is rightly said to be Nature's grand finale of beauty. In this masterpiece of earth's creation seasons in strong individuality vie with one another in putting up exquisite patterns of charm and loveliness. Nature has left an indelible mark on the folk performances of Kashmir as they are intimately interlined with the moods and movements of the seasons.

Jammu the land of the Dogras, offer an entirely different fare of dances and music. Over the centuries long spell of seperation from their soldier, husbands and brothers have led the hardy but graceful women of the Duggar to evolve many diverting dances and songs to keep themselves in cheer in their free moments. The songs of seperation the ever increasing yearning for reunion with the beloved, the hard life on the mountain slopes and various other themes connected with their day-to-day life find their echo in folk songs and dances.

Ladakh is the repository of ancient cultural heritage. It is the only place in the world where Tantrayans Buddhism is practised as a way of life. People of this region are deeply drenched in music, dance and drama which embody religious fervour. Ladakhi songs and dances are simple in thought, content and performance to. Ladakhi dances reveal the simple and noble nature of the Ladakhi people. Song and drama both are the means towards salvation.